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Co-author, with José Lebrero Stals. Dialogues with Picasso: 2020-2023 Collection. Málaga: Museo Picasso Málaga, 2020.
Picasso and the Invention of Cubism. New Haven and London: Yale University Press, 2003
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“An Art of Negation: Reductive Painting and Minimal Sculpture,” in Jan van Adrichem and Adia Martis, eds., Stedelijk Collection: Reflections, Amsterdam: NAI Publishers, 2012, pp. 481-500.
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“Le Laboratoire Central: Cubist Drawings in the Musée Picasso,” in Anne Baldassari, ed., Cubist Picasso, exh. cat. (Paris: New York, Rizzoli, 2007), pp. 149-163.
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“Report from Milan--The '30s: Art and Culture in Italy,” Art in America, October 1982, pp. 43-47.
“Jean Dubuffet: The Would-Be Barbarian,” Apollo, vol. CLVI, no. 489 (New Series), October 2002, pp. 12-20.
“A Sum of Destructions,” in Kirk Varnedoe and Pepe Karmel, eds., Jackson Pollock: New Approaches, New York: The Museum of Modern Art, 1999, pp. 71-100.
“Richard Pousette-Dart: The Body of Painting,” in Sam Hunter and Joanne Kuebler, eds., Richard Pousette-Art: The New York School and Beyond, Milan: Skira, 2005, pp. 19-33.
“Photography--Garry Winogrand, Public Eye,” Art in America, November 1981, pp. 39-41.
“The Year of Living Minimally,” Art in America, December 2004, pp. 90-101, 149.
“The October Century” [review of Art Since 1900: Modernism, Antimodernism, Postmodernism, by Hal Foster, Rosalind Krauss, Yve-Alain Bois and Benjamin H.D. Buchloh], Art in America, November 2005, pp. 61-67.
“Terrors of the Encyclopedia: Max Ernst and Contemporary Art,” in Werner Spies and Sabine Rewald, eds., Max Ernst: A Retrospective, New York: Metropolitan Museum of Art, 2005, pp. 81-105.