Laurence Coderre

Director of Undergraduate Studies

Laurence Coderre graduated from Harvard University in 2007 with a degree in Music and East Asian Studies. She subsequently received an A.M. in Regional Studies—East Asia from Harvard in 2009 and a Ph.D. in Modern Chinese Literature from the University of California, Berkeley in 2015. Prior to coming to NYU in 2016, she was a postdoctoral fellow at the University of Michigan’s Lieberthal-Rogel Center for Chinese Studies.

Areas of Research/Interest

Modern Chinese cultural studies
Material culture
Socialism and postsocialism
The Cultural Revolution
Third World internationalism
Disability studies

Education

A.B. 2007, Music and East Asian Studies, Harvard University
A.M. 2009, Regional Studies-East Asia, Harvard University, 
Ph.D. 2015, Chinese, UC Berkeley

External Affiliations

Association for Asian Studies
Modern Language Association
American Comparative Literature Association

Fellowships and Awards

  • 2015-2016 Postdoctoral Fellowship in the Study of China, Lieberthal-Rogel Center for Chinese Studies, University of Michigan
  • 2014-2015 Dissertation Completion Fellowship, American Council of Learned Societies
  • 2014-2015 Dissertation Fellowship, Townsend Center for the Humanities, UC Berkeley
  • 2013-2014 Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship, US Department of Education
  • 2013-2014 International Dissertation Research Fellowship, Social Science Research Council

Selected Articles

  • Ma Ji’s “Ode to Friendship” and the Failures of Revolutionary Language
    Maoist Laughter, eds. Ping Zhu, Zhuoyi Wang, and Jason McGrath (Hong Kong: Hong Kong University Press, 2019) 179–96
  • A Necessary Evil: Conceptualizing the Socialist Commodity under Mao
    Comparative Studies in Society and History, vol. 61, no. 1 (2019) 23-49
  • Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972)
    1968 and Global Cinema, eds. Christina Gerhardt and Sara Saljoughi (Detroit, MI: Wayne State University Press, 2018) 345–62
  • The Curator, the Investor, and the Dupe: Consumer Desire and Chinese Cultural Revolution Memorabilia
    Journal of Material Culture, vol. 21, no. 4 (2016) 429-447
  • Breaking Bad: Sabotaging the Production of the Hero in Amateur Performance of Yangbanxi
    Listening to China’s Cultural Revolution: The Translation of Musical Culture into Politics, eds. Paul Clark, Laikwan Pang, and Tsan-huang Tsai (London: Palgrave Macmillan, 2016) 65-84
  • Meaningful Mobility and the Ties That Bind: 1988 as Postsocialist Road Story
    Modern Chinese Literature and Culture, vol. 26, no. 2 (2014) 1-37
  • Counterattack: (Re)contextualizing Propaganda
    Journal of Chinese Cinemas, vol. 4, no. 3 (2010) 211-228