Judith Miller

Pickard-Bascom Professorship, U. of Wisconsin; Honorary Fellow, CNRS Laboratoire de Recherche sur les Arts du Spectacle; Award for the promotion of French theatre in America, Ministère de la Culture of France; Distinguished Teaching Award, U. of Wisconsin; Rockefeller Residency at Bellagio; Chevalier dans l’Ordre des Palmes Académiques; Collegiate Professor, NYU; Global Network Professor, NYU

Translation of Le Théâtre du Soleil:  Les premières cinquante années by Béatrice Picon Vallin. (The Théâtre du Soleil, The First Fifty-Five Years, Routledge, 2020).

Anthology of Francophone African Theatre:  Truculence and Transgression  (works by Dadié, Labou-Tansi, Zinsou, Alem, Pliya,  Kwahulé, Akakpo, Mukagasna, Liking, and others.) forthcoming:  Bucknell University Press, 2023.

"Traumatizing the French Stage:  Francophone African Theatre," A New History of French Theatre, Ed. Clare FInburgh Delijani, forthcoming Cambridge, 2022.

Theatre and Revolution in France Since 1968  (Lexington:  Kentucky:  French Forum Monographs, 1977).

Françoise Sagan (Boston:  G.K. Hall, 1988).

Plays by French and Francophone Women:  A Critical Anthology (with Christiane Makward)  (Ann Arbor: University of Michigan Press, 1994).

Ariane Mnouchkine (London:  Routledge, 2007, 2018).

Seven Plays of Koffi Kwahulé: In and Out of Africa (with Chantal Bilodeau) (Ann Arbor: University of Michigan Press, 2017).

Translator: “Drums on the Dam:  In the Form of an Ancient Puppet Play Performed by Actors”  by Hélène Cixous, The Plays of Hélène Cixous.  Ed. Eric Prenowitz  (New York:  Routledge, 2003).

Women Writing Africa: West Africa and the Sahel. Eds.  Diaw and Sutherland-Ady  (New York:  The Feminist Press, 2004)  (Translations and text editing)

“New Forms for New Conflicts:  Thinking About Ariane Mnouchkine and Tony Kushner.”  Contemporary Theatre Review. Vol 16:2, 2006.

Des Femmes Ecrivent l’Afrique:  l’Afrique de l’oeust et le Sahel.  Eds. Diaw and Sutherland-Ady (Paris:  Karthala, 2007)  (With Christiane Owusu-Sarpong, translations, text editing and general editing)

“Is There Such A Thing as Francophone African Stage Textuality?”  Yale French Studies, fall 2007.

“Women’s Voices, Women’s Bodies in José Pliya’s Theatre.”  L’Esprit Créateur,  fall 2008.

“The Theatre of Hélène Cixous:  Re-memberings, Re-fashionings, and Revenants.”  The Hélène Cixous Reader II.  Ed. Marta Segarra.  (New York:  Columbia University Press, 2009).

"Le Sang des Promesses : Filiations et Rhizomes (chez Wajdi Mouawad)." Isthmes francophones : du texte aux chants de monde." Dir. Anne Douaire-Banny. Paris: PUPS, 2012.

"Performing history, Performing memory with The Théâtre du Soleil." Performance Studies in Motion, International Perspectives and Practices in the Twenty-First Century. Eds. Atay Citron, Sharon Aronson-Lehavi, David Zerbib. London: Methuen, 2014.

"Remapping the Memory of Slavery: Leonora Miano's Theatrical Dream, Red in blue trilogie." Memory as Colonial Capital. Eds. Brezault and Johnson. New York: Palgrave, 2017.

The Restless, translation of Les Rétifs, a novel by Gerty Dambury (Feminist Press, 2018).