Special Topics in Classics

SAME AS K20.1606.

In this new seminar, we will be exploring one of the most debated subjects in the field of classics, the meaning and function of catharsis. Aristotle famously writes that pity and fear and other emotions produce catharsis and that this was the goal of Greek tragedy (and perhaps comedy too). But what is catharsis - purgation, healing, understanding, epiphany, revelation? How did catharsis operate in practice and why was it such an important part of the experience of ancient theatre? We will explore the cognitive, affective and neuro sciences on this subject as well as ancient texts and see how catharsis operated in other ancient performative contexts such as the Eleusinian Mysteries and so-called Corybanitic "frenzies". We will also examine the relationship of altered state to ancient performance, the shamanistic qualities of Dionysos - the Greek god of the theatre, and the enthralling stage devices used to promote catharsis, such as fascinating masks, haunting music and empathetic movements and dance. We will read several ancient Greek plays to see how catharsis operated within them and ask if catharsis is still found in the modern world today. Pre-requisites: None

Topics vary by semester. For additional information see the departmental website: http://classics.as.nyu.edu/page/home.html