Baer, Ulrich

Ed. Amir Eshel with contributions by Stephan Braese, Barbara Hahn, Christine Ivanovic, Martin Klebes, Vivian Liska, Fred Moten, Sigrid Weigel, Liliane Weissberg, and Thomas Wild. Hannah Arendt zwischen den Disziplinen. Göttingen: Eshel Wallstein Verlag, 2014

The Rilke Alphabet. New York: Fordham University Press, 2014.

Beggar's chicken: stories from Shanghai. Hong Kong: Earnshaw Publishers, 2013.

Ed. with Emily Sun and Eyal Peretz. The Claims of Reading: The Shoshana Felman Reader. New York: Fordham University Press, 2007.

Five Editions of Rilke's Letters: on Life, on Letters, on Art, on Loss, on Faith with introductions. Frankfurt: Insel Verlag, 2006.

Das Rilke Alphabet. Frankfurt: Suhrkamp Verlag, 2006.

Letters on Life: The Wisdom of Rainer Maria Rilke. New York: Random House/Modern Library, 2005.

Spectral Evidence: The Photography of Trauma. Cambridge, MA: MIT Press, 2002.

110 Stories: New York Writes After September 11. NYU Press; Editor of literary anthology of New York-based writers' and poets' responses to the attacks on the World Trade Center.

Traumadeutung: Erfahrung der Moderne bei Charles Baudelaire und Paul Celan. Frankfurt: Suhrkamp, 2002.

Translation of "Remnants of Song." Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan. Stanford University Press, 2000.

Niemand zeugt für den Zeugen: Zeugenschaft und historische Verantwortung nach der Shoah. Frankfurt: Suhrkamp, 1999.

Essays:

"Seeing in the Future in an Image from the Past: Hannah Arendt, Garry Winogrand, and Photographing the World," Yearbook of Comparative Ltiterature, 2009 (volume 55).

"End of a World: On Thomas Demand's Photographs," in: L'Esprit d'escalier," IMMA (Irish Museum of Modern Art), Dublin, Ireland and Walter Koenig, Cologne: 2007) 82- 112.

"The Reluctant Modernism of Thomas Struth," in "Struth," Madre Museum, Naples, 2008, 85-97.

"Bring the Outside In: On Diti Almog," in Studio 173, May-June 2008, Tel Aviv.

"Paul Celan's Stars: Teaching 'Todesfuge' as a Canonical Holocaust Poem," in Marianne Hirsch and Irene Kacandes, eds. Teaching the Representation of the Holocaust, New York: MLA, 2005.

"'Learning to Speak Like a Victim': Media and Authenticity in Marcel Beyer's Flughunde" in Gegenwartsliteratur. Contemporary Holocaust Images. South Atlantic Quarterly. 1997.

Sign and History in Baudelaire. Semiotics. 1995.

Photography and Hysteria: Toward a Poetics of the Flash. The Yale Journal of Criticism. 1994.

Updated on 07/16/2014