Smith, Kathryn
“The Monk Who Crucified Himself,” in Thresholds of Medieval Visual Culture: Liminal Spaces, ed. Elina Gertsman and Jill Stevenson (Woodbridge, UK: Boydell Press, 2012), 44-72.
The Taymouth Hours: Stories and the Construction of the Self in Late Medieval England (London: The British Library Publications and Toronto: University of Toronto Press, 2012).
“Margin,” in Medieval Art History Today: Critical Terms, special issue of Studies in Iconography, ed. Nina Rowe, 33 (2012): 29-44.
“Book, Body and the Construction of the Self in the Taymouth Hours,” in Negotiating Community and Difference in Medieval Europe: Gender, Power, Patronage, and the Authority of Religion in Latin Christendom, ed. Katherine Allen Smith and Scott Wells (Leiden: Brill, 2009), 173-204.
“Chivalric Narratives and Devotional Experience in the Taymouth Hours,” in Negotiating Sacred and Secular in Medieval Art: Christianity, Islam, and Buddhism, ed. Alicia Walker and Amanda Luyster (Aldhershot, UK and Burlington, VT: Ashgate Publishers, 2009), 17-54.
Tributes to Lucy Freeman Sandler: Studies in Illuminated Manuscripts (London and Turnhout: Harvey Miller Publishers, 2007) (editor, with Carol H. Krinsky)
“Accident, Play, and Invention: Three Infancy Miracles in the Holkham Bible Picture Book,” in Tributes to Jonathan J. G. Alexander: The Making and Meaning of Medieval and Renaissance Illuminated Manuscripts, Art & Architecture, ed. Gerald B. Guest and Susan L’Engle (Turnhout and London: Harvey Miller Publishers, 2006), 357-69.
“Books of Hours,” in Women and Gender in Medieval Europe: An Encyclopedia, ed. Susan Mosher Stuard, Thomas Izbicki and Margaret Schaus (London: Routledge, 2006), 89-92.
Art, Identity and Devotion in Fourteenth-Century England: Three Women and their Books of Hours, The British Library Studies in Medieval Culture (London: The British Library Publications and Toronto: The University of Toronto Press, 2003).
"Bibles" (essay), and eight catalogue entries, in Leaves of Gold: Manuscript Illumination from Philadelphia Collections. ed. James R. Tanis and Jenny A. Thompson (Philadelphia: Philadelphia Museum of Art, 2001), 21-43.
"The Neville of Hornby Hours and the Design of Literate Devotion." Art Bulletin. 81/1 (1999): 72-92
"The Destruction of Jerusalem Miniatures in the Neville of Hornby Hours and their Visual, Literary and Devotional Contexts," The Real and Ideal Jerusalem in Jewish, Christian and Islamic Art, Journal of Jewish Art 23/24 (1998):179-202
"History, Typology, and Homily: The Joseph Cycle in the Queen Mary Psalter." Gesta. 32/2 (1993):147-59.
"Inventing Marital Chastity: The Iconography of Susanna and the Elders in Early Christian Art." Oxford Art Journal. 16/1 (1993):3-24.
The Taymouth Hours: Stories and the Construction of the Self in Late Medieval England (London: The British Library Publications and Toronto: University of Toronto Press, 2012).
“Margin,” in Medieval Art History Today: Critical Terms, special issue of Studies in Iconography, ed. Nina Rowe, 33 (2012): 29-44.
“Book, Body and the Construction of the Self in the Taymouth Hours,” in Negotiating Community and Difference in Medieval Europe: Gender, Power, Patronage, and the Authority of Religion in Latin Christendom, ed. Katherine Allen Smith and Scott Wells (Leiden: Brill, 2009), 173-204.
“Chivalric Narratives and Devotional Experience in the Taymouth Hours,” in Negotiating Sacred and Secular in Medieval Art: Christianity, Islam, and Buddhism, ed. Alicia Walker and Amanda Luyster (Aldhershot, UK and Burlington, VT: Ashgate Publishers, 2009), 17-54.
Tributes to Lucy Freeman Sandler: Studies in Illuminated Manuscripts (London and Turnhout: Harvey Miller Publishers, 2007) (editor, with Carol H. Krinsky)
“Accident, Play, and Invention: Three Infancy Miracles in the Holkham Bible Picture Book,” in Tributes to Jonathan J. G. Alexander: The Making and Meaning of Medieval and Renaissance Illuminated Manuscripts, Art & Architecture, ed. Gerald B. Guest and Susan L’Engle (Turnhout and London: Harvey Miller Publishers, 2006), 357-69.
“Books of Hours,” in Women and Gender in Medieval Europe: An Encyclopedia, ed. Susan Mosher Stuard, Thomas Izbicki and Margaret Schaus (London: Routledge, 2006), 89-92.
Art, Identity and Devotion in Fourteenth-Century England: Three Women and their Books of Hours, The British Library Studies in Medieval Culture (London: The British Library Publications and Toronto: The University of Toronto Press, 2003).
"Bibles" (essay), and eight catalogue entries, in Leaves of Gold: Manuscript Illumination from Philadelphia Collections. ed. James R. Tanis and Jenny A. Thompson (Philadelphia: Philadelphia Museum of Art, 2001), 21-43.
"The Neville of Hornby Hours and the Design of Literate Devotion." Art Bulletin. 81/1 (1999): 72-92
"The Destruction of Jerusalem Miniatures in the Neville of Hornby Hours and their Visual, Literary and Devotional Contexts," The Real and Ideal Jerusalem in Jewish, Christian and Islamic Art, Journal of Jewish Art 23/24 (1998):179-202
"History, Typology, and Homily: The Joseph Cycle in the Queen Mary Psalter." Gesta. 32/2 (1993):147-59.
"Inventing Marital Chastity: The Iconography of Susanna and the Elders in Early Christian Art." Oxford Art Journal. 16/1 (1993):3-24.
Updated on 03/06/2012