B.A. (English), Universidad de Puerto Rico, Río Piedras, 1998
Areas of Research/Interest
U.S. Latin@ literatures and cultures; poetry and poetics of the Americas; media and performance studies; the Caribbean and its diasporas; modernisms and avant-gardes; translation studies; multi-ethnic New York City; creative writing
Executive Committee, Puerto Rican Studies Association; Advising Artists Council, The Millay Colony for the Arts; Contributing Editor, Mandorla: New Writing from the Americas
Howard Foundation Fellowship (2016); Honorable Mention, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies (2015); LASA Book Award for Best Monograph in Latina/o Studies (2015); CantoMundo Fellowship (2013); Shortlist, Paz Prize for Poetry, National Poetry Series (2012); Ford Foundation Postdoctoral Fellowship (2011)
T. Urayoán Noel is Associate Professor of English and Spanish and Portuguese at New York University, and taught at SUNY Albany from 2008 to 2014. He is the author of In Visible Movement: Nuyorican Poetry from the Sixties to Slam (Iowa, 2014) and several books of poetry, as well as a translator, performer, and media artist.
Architecture of Dispersed Life: Selected Poetry by Pablo de Rokha. Ed./Trans/Intro. Bristol, U.K.: Shearsman Books, forthcoming.
Buzzing Hemisphere/Rumor Hemisférico (poetry).
Tucson: University of Arizona Press, 2015.
In Visible Movement: Nuyorican Poetry from the Sixties to Slam.
Boringkén (poetry, with CD). San Juan: Ediciones Callejón/Librería La Tertulia, 2008.
Kool Logic/La lógica kool (poetry). Tempe: Bilingual Press, 2005.
“'The Geography of Their Complexion': Nuyorican Poetry and Its Legacies.” The Cambridge History of Latina/o Literature. Ed. Laura Lomas and John Morán González. Cambridge: Cambridge UP, forthcoming.
“Remediating the Latin@ Sixties.” American Literary History, special issue, “Reading and Writing Archives.” Ed. Thomas Augst. 29:2. (2017): 374-95.
“Notas para una poética del performance: Pedro Pietri y el corpus de la poesía puertorriqueña.” Escrituras en contrapunto: Estudios y debates para una historia crítica de la literatura puertorriqueña. Rio Piedras: U of Puerto Rico, 2015: 554-70.
“Teaching U.S. Latino/a Poetry in the Age of Social Media.” Latino/a Literature in the Classroom: 21st Century Approaches to Teaching. Ed. Frederick Luis Aldama. New York: Routledge, 2015. 131-40.
“On Out of Focus Nuyoricans, Noricuas, and Performance Identities.” Liminalities: A Journal of Performance Studies, special issue, "On Poetry Worlds.” Ed. Jen Vernon and Bill Marsh. 10: 3/4 (2014). Web.
“For a Caribbean American Graininess: William Carlos Williams, Translator.” Small Axe: A Caribbean Journal of Criticism, special issue, “Translating the Caribbean.” Ed. Kaiama L. Glover and Martin Munro. 17:3 (2013): 138-50.
“Poetry.” Routledge Companion to Latino/a Literature. Ed. Frances Aparicio and Suzanne Bost. London: Routledge, 2012: 285-98.
“Bodies that Antimatter: Locating U.S. Latino/a Poetry, 2000-2009.” Contemporary Literature, special issue, "Poetry of the 2000's.” Ed. Michael Davidson. 52.4 (2011): 852-82.
“Counter/Public Address: Nuyorican Poetries in the Slam Era.” Latino Studies 9.1 (2011): 38-61.
“From Spanglish to Glossolalia: Edwin Torres’s Nuyo-Futurist Utopia.” Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement. Ed. Barrett Watten and Carrie Noland. New York: Palgrave, 2009: 225-42.